An Interview with John Densmore: Identity Crisis In The Land Of $$$

John Densmore
THIS ARTICLE WAS WRITTEN BY JAMES CAMPION AND PUBLISHED BY THE AQUARIAN ON APRIL 17, 2013.

There is being an idealist, and then there is John Densmore. There is defining integrity, and then there is John Densmore. There is putting money, reputation and professional legacy where the mouth and the heart reside, and then there is John Densmore.

The legendary drummer’s new book, The Doors Unhinged—Jim Morrison’s Legacy Goes On Trial, is a compelling look at defining the cost of art, integrity and legacy. Where is the line drawn between creativity and commerce? When does a band turn from a vehicle for artistic expression to a commodity, or is it always both? If so, which is more pertinent? And most importantly, what’s in a name? Is it identity? Is it purity? Or does it have many definitions? And exactly who defines it?

The Doors Unhinged is a story about longtime friends, brothers-in-arms, fighting tooth-and-nail to define their creation; The Doors—its image and rightful place as an American icon, as either a product to be re-packaged for profit or a collective with the living DNA of four unique members that ceased to be, in reality, after 1971.

Densmore’s The Doors Unhinged is less about his struggles for personal principle as it is about definitions; not only definitions put on trial between long-time colleagues, but in a court of law, where the story transforms from a passion play among members of a powerful and lucrative creative entity to a battle for survival, both professional and personal.

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